Latest articles from the Innovate My School community.

All throughout February, our content will be centred around the theme of The Disruptors. These are the visionaries, stories, tactics and resources that will ensure your school stays ahead of the curve.

“Engaging students of any age is hard,” says George Hammond-Hagan, CEO of Studytracks. “From the start of anyone’s educational journey all the way to the end, there’s a battle - internal and external - for their mind’s attention.

“This is why disruptive teaching methods are important. The educators included in this month’s theme are ones who have shown that they will do things a little differently to get the result. Personally, my own path has led me to using music to power teaching and learning. Music creates an environment that we’re instinctively attuned to, as it modifies our mood, opens our mind, demands attention and transforms anywhere into a focussed sphere of influence. The brain is ‘hacked’ by music."

Don't let your teaching and learning grow stale.

How immersive environments are inspiring reluctant learners

Inés Soria-Donlan

Inés Soria-Donlan is a producer, cultural manager, practitioner and community researcher who is committed to supporting the arts and creative education from local to global contexts. A University of Manchester postgraduate, her recent publications include 'In Place of War: mobilising, empowering and connecting artist in sites of war, conflict and revolution' and ‘Humanitarianism 2.0’. Inés is currently director of productions and festivals at In Place of War and Learning & Participation Development Officer at South Asian Art UK. Inés has worked with 4D creative (now 4D Immersive) since 2013, and was their training & research coordinator from February 2014 until September 2015.

Follow @inessoriadonlan

Website: www.saa-uk.org Email This email address is being protected from spambots. You need JavaScript enabled to view it.

It’s 10.30am and fifteen Year 2 boys are huddled inside an old army parachute dappled in green and brown light, the noises of gunfire rattling in the distance, while outside they are confronted with life-size images of young soldiers in battle. Each child whispers to their partner as they write down their experiences. Which of these children are unengaged? Looking at the wonder and anticipation in all of the children’s faces as they scribble words and drawings on their paper, it’s hard to tell. And while we know each child will have different levels of engagement across different learning approaches, it reminds us that everybody has the capacity to be engaged.

It’s my opinion that everybody has a skill or experience that they are good at, that they can be absorbed by, and that they can learn from, whether that exists within a traditional learning environment or elsewhere. The difficulty is often having the time to find out what that skill is, and creating a flexible, personalised learning environment that can cater to individual needs.  Immersive spaces can’t solve the problems of the complex context or history of those children who have, rightly or wrongly, been labelled as ‘unengaged’, but they can provide a forum in which their barriers to learning can be disregarded, and their approaches to enquiry, communication and experience identified and championed.

So how does this work in practice? Huddled in their enormous parachute tent, the Y2 boys at Bowlee Primary school in Middleton are looking at a single red poppy that is trapped in a glowing white box in the middle of the tent. They are asked to write down what they think it is and how it makes them feel, looking at that poppy, hearing the gunfire and being in that space.

For a school that is outstanding across the board, but where children have limited experiences and where engagement within boys’ literacy is an ongoing challenge, providing them with an opportunity to use writing to express their own feelings in their immediate surroundings was powerful. Not only did the children begin writing straight away, using vocabulary and WOW words that the teachers acknowledged was at a richer level than previous work in the classroom, but most also started working together in small groups of two or three, without direction. Taking charge of the way they learned and engaging in an experiential way encouraged them to engage more deeply.

At Ormiston Horizon Academy in Stoke on Trent, they create immersive experiences that blend the vocational with the theoretical, the practical with the abstract to engage pupils in maths and science. By creating experiential scenarios within their immersive environment, pupils must employ their maths knowledge to solve a series of mysteries, from working in a Criminology lab to find out who murdered the Y9 maths teacher, to exploring engineering by designing and building balloon cars within the space. So what’s different? In all of these short examples, the immersive experiences created did more than just excite, provoke and enthuse.

On a basic level, they permitted the pupils to travel to worlds – real or otherwise – that most had not had access to before, to experience new sensations, landscapes and scenarios in a safe space. Crucially, they were allowed to experience these environments in their own time, as individuals, without being singled out. With labels disregarded, they could take ownership of their learning by using their own experiences to shape that learning, and teachers in turn could observe the different ways in which pupils processed this journey.

One of the most powerful things a teacher said to me was that in their immersive space, the differences of ability between the pupils in her class became much less apparent. Because each child had the freedom and space to nurture their imagination independently and interpret their experience and their responses to it in a space that belonged as much to them and their peers as to the practitioners supporting their transition through education.

Do you use immersive environments in your school? Share your experiences below.

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