For 20 years, Teachit has been publishing high quality teaching and learning resources to support teachers across the primary and secondary curriculum. Our resources are practical, creative and flexible: we know that teachers have many different needs and will want to use and adapt our classroom resources in different ways.
I know what you are thinking, yet another “expert” is taking to the internet to talk about the latest method of language learning. In all honesty, for me, the only way to truly become fluent in the language you are learning is to immerse yourself in it, go to the country, speak to and befriend native speakers, learn about what they watch and read. This will do you more good than 10 years of classes at home. My personal experience with this was heading off to Argentina for a year, where I lived with native speakers and worked in Spanish, I returned home fluent and I have been looking for a reason to go back out there ever since!
In the classroom, percussion often takes a supporting role. It provides the accompaniment to pitched instruments and is often relegated to the role of ‘timekeeping’. This need not be the case. Whole lessons and, indeed, schemes of work can be built around percussion and there’s no shortage of options in this regard. Djembe drumming and body percussion are two popular and inspiring options embraced by many music teachers. With 2016 being the year of the Rio Olympics, another percussion option is well worth exploring – samba drumming.
“Brrr, it’s too cold, I’m not going out in that!”... “Yuk! It’s raining, I HATE getting wet, and my shoes aren’t waterproof.”… “I know they aren’t going to hurt me, but I’m scared of things that fly and buzz.”... “I don’t like getting dirty”. Familiar excuses they may be, but they rarely come from the mouths of children. Too often it is teachers who reluctantly drag themselves outside, feeling like fishes out of water and miles away from the comfort of the classroom.
Everyone loves a good double act: Morecambe and Wise, Laurel and Hardy, French and Saunders, Wallace and Gromit. Now Ant and Dec are the ‘nation’s favourites’. They recently scooped the National Television Presenter Award prize for the 15th year in a row, so they must be doing something right! The opening show of their latest 2016 series of Saturday Night Takeaway attracted 7.3 million viewers.
We know that successful students are those who are resilient, and there has been increasing amounts written about how to develop resilience in our students. There is lots of excellent advice, lots of good strategies, lots of excellent applications of Dweck’s growth mindset or Claxton’s building learning power. But I think there is one simple thing that we can do in class every day that will go a long way to helping students become more resilient, or at least giving them permission to build the confidence and perseverance needed.
What is the main ingredient that makes a great lesson? I’m not talking in the realms of inspectorate rhetoric. We all know as professionals that we need our pupils to make progress in each lesson, and we are not oblivious to this fact. I mean those lessons that you regale other teachers with because you have a real sense of pride in what occurred. The ones where all the pupils were switched on, and the learning flowed as smooth as Frank Sinatra-branded honey!
Manchester-based music ensemble Psappha have created Psappha Kids: Music Explained, a film-based resource specially devised to support the teaching of classroom music for children aged between 7 and 11 years. The resource is available free-of-charge, and is suitable for both non-specialist and specialist music teachers alike.
In my NQT year I attended a three day TEACCH autism course. This covered the TEACCH approach research and values with both the theoretical and practical examples of their structured teach. The part I was most interested in was how to implement a highly-structured visual approach for individuals and groups. Now as all teachers know, you cannot take an approach that works in one school and shoehorn it into another setting, but the good thing was that we didn't have to do this; everything could and should be personalised within the framework.
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